This CBC mini-series is based on the internationally celebrated novel by Canadian author Lawrence Hill. A compelling tale of loss, courage, love and the triumph of the human spirit, it follows the extraordinary journey of Aminata Diallo (Ellis), an indomitable African woman.

In 1750, 11-year-old Aminata is kidnapped from her village in West Africa and begins a rich journey that takes her through the harrowing ordeal of slavery, to the turmoil of the American Revolution and ultimately to freedom in the British colony of Nova Scotia. Brilliant and determined, Aminata is a remarkable heroine whose unshakeable connection to her own African heritage guides her over unimaginable obstacles in her quest for freedom and ultimately allows her to assume the mantle of leadership for which she is destined.

Deeply moving and inspiring, The Book of Negroes explores painful historical realities through the unblinking eyes of a strong female protagonist whose story will stay with you long after the telling.

Adapted from Sheldo Currie’s novel The Glace Bay Miners’ Museum, this poignant period drama looks at a small mining town in 1940s Cape Breton, Nova Scotia, where Margaret (Bonham-Carter) grows to despise the mines in which both her brother and her father lost their lives.

As she mourns her losses, Margaret meets and falls in love with Neil (Russell), a bagpipe player who is just as disdainful of the local industry as she is. While Neil vows to find work outside of the mines, it proves tragically difficult for the couple to escape the realities of living in a mining community.

This critically acclaimed adaptation — featuring Genie Award–winning performances by Helena Bonham Carter, Kate Nelligan and Kenneth Welsh — is emotionally intense and deeply affecting.

Joey (Bradley) and Peter (McGrath) are best friends from a small town in Nova Scotia. With their seasonal work becoming scarce, they decide to pack up their meagre belongings and head west to Toronto, where they’re convinced better luck awaits them. Finding work at a soda bottling plant, the duo try to adjust to the decidedly different pace of life in the big city. A charming yet realistic portrait of a very Canadian experience, Goin’ Down the Road is known as one of Don Shebib’s finest films, and has landed on the Toronto International Film Festival’s Top 10 Canadian Films of All Time list for four decades in a row.

Growing up as a depressed, overweight gay teen in Nova Scotia was hard for young William, so he ran away at the age of 15 and never looked back. That is, until ten years later when he returns for his sister’s wedding, and must face the dysfunctional family and oppressive community he thought he had left behind.

A challenging, evocative and artful drama about coming to terms with one’s past, one’s family and one’s identity. The Hanging Garden explores how the choices we make can affect the future — for us, and for those whose lives we touch.

“The heart of the movie is its insight into the way families are haunted by their own history.” — Roger Ebert, The Chicago Sun-Times

Canadian Lieutenant-General Roméo Dallaire was in command of the United Nations’ peacekeeping mission to Rwanda in 1994 when a bloody genocide erupted. Over the course of 100 days, more than 800,000 Tutsis were killed by Hutus, the rival tribe in their country.

Dallaire attempted to stop the killing by alerting the world through the United Nations and the international media. Though his attempts were unsuccessful, Dallaire emerged as a hero. Ten years later, Dallaire returns to Rwanda to personally commemorate the anniversary of that holocaust.

Winner of the Audience Award for Best Documentary at the Sundance Film Festival in 2005.

“Dallaire is not only the protagonist of Shake Hands with the Devil, he is a compelling reason to see it.” — Kenneth Turan, Los Angeles Times

Annie Mae Pictou Aquash was a 30-year-old Nova Scotia-born Mi’qmaw woman and a prominent figure in the American Indian Movement (AIM) until her life was tragically cut short in 1975, when she was brutally murdered in South Dakota. Decades later, as the crime remains unsolved, her friends and family reflect on her life and what she meant to each of them. 

While remaining an intimate portrait of a loving mother and friend, The Spirit of Annie Mae also chronicles the history of AIM, and ways in which the government sought to destroy it from within.

A misfit among his brainy family members, lovable bouncer Doug “The Thug” Glatt (Scott) has a righteous left hook. His fighting skills are so strong, in fact, that he unexpectedly lands a spot on a minor-league Canadian hockey team, where his role as “enforcer” has him dropping gloves with opposing players to put them “on ice.”

Michael Dowse’s brilliant comedy is big on character and bigger on heart, sure to appeal to both die-hard hockey fans and sports-phobic audiences alike.

This remarkable second feature from Bretten Hannam follows two-spirit Mi’kmaw teenager Link (Lewitski) on a remarkable journey of self discovery set against the gorgeous backdrop of the Annapolis Valley. After finding out that his estranged mother may be alive, Link and his brother (Winters-Anthony) escape from their abusive father and set out to find her, helped along their way by Pasmay (Odjick), a young drifter who helps Link come to terms with his newfound sexuality.

Adapted from Hannam’s award-winning short film Wildfire, this realistic coming of age story is full of hope, love and heartbreak, and is a bold addition to the new wave of Indigenous filmmaking.

“Brettan Hannam's glorious first feature catapults him into the pantheon of filmmakers to watch.” – Frank J. Avella, Edge Media Network

The term “environmental racism” may be unfamiliar to many, but its meaning is fairly literal. It refers to the discrimination minorities face when they are subjected to toxic levels of pollution, often because factories or waste sites are placed near their communities. 

Elliot Page brings attention to these injustices in her home province of Nova Scotia in this urgent documentary about women fighting to protect their communities, their land, and their futures.

Page travels to rural areas of the province that are plagued by toxic fallout from industrial development, discovering that these catastrophes have been precisely placed, all in remote, low income — and very often Indigenous or Black — communities. As the filmmakers observe, your postal code determines your health.
 

The difficult existence of a pair of homeless drug addicts is shown with harsh honesty and surprising sensitivity in McKenzie’s highly acclaimed debut feature. Shot almost entirely in close-ups that capture the disorienting world these characters inhabit, McKenzie teases out intimate and intense performances that inspire empathy as well as concern.

Werewolf’s stark filmmaking never romanticizes the lives of junkies Blaise (Andrew Gillis) and Vanessa (Bhreagh MacNeil), preferring instead to capture the frustration and futility of their lives with a startling power.

Werewolf won the Toronto Film Critics Association prize for best Canadian film of the year.

“In plumbing the pitch black, Werewolf offers the distinct hope of a brighter future – at least, a brighter future for Canadian cinema.” – Barry Hertz, The Globe and Mail