Interest: Indigenous Filmmaker
Red Fever
Directors
Neil Diamond (Cree)
Cree filmmaker Diamond is known for several award winning documentaries that focus on Indigenous life and issues. His debut film, Cree Spoken Here, garnered the Telefilm/APTN award for Best Aboriginal Documentary. His most recent film was Inuit Cree Reconciliation with filmmaker Zacharias Kunuk and he is currently directing the documentary Red Fever.
Writers
Neil Diamond (Cree), Catherine Bainbridge
Producers
Rebecca Lessard, Lisa M. Roth
Genre
Documentary
Interests
Arts and Culture, BIPOC Stories, Discrimination, Female Filmmaker, Global Experiences, History, Indigenous Filmmaker, Social Justice & Politics
Original Language
English
Seeds
In this tense thriller, a Mohawk internet personality receives her first sponsorship, promoting the seed and fertilizer company Nature's Oath. But when she returns to her reserve, she discovers a dark side to the company that threatens both her and her people.
Director
Kaniehtiio Horn (Mohawk)
Writer
Kaniehtiio Horn (Mohawk)
Cast
Kaniehtiio Horn (Mohawk), Meegwun Fairbrother (Ojibway), Cherish Violet Blood (Kainai), Graham Greene (Oneida)
Producers
Leonard Farlinger, Jennifer Jonas
Genres
Horror, Thriller
Interests
BIPOC Stories, Environment, Female Filmmaker, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads
Original Language
English
Yintah
Capturing footage that startlingly echoes Alanis Obomsawin’s 1994 film Kanehsatake: 270 Years of Resistance, this is a story we can’t afford to forget. Winner of the Audience Award at Hot Docs 2024.
“An incendiary feat of filmmaking” – Pat Mullen, POV Magazine
Directors
Brenda Michell (Wet'suwet'en)
Brenda Mitchell is Tsakë ze’ K‑eltiy (a hereditary chief) of the Unist'ot'en Clan of the Wet'suwet'en Nation. In addition to participating in Wet’suwet’en governance, she has worked in post-secondary education for the Lake Babine Nation Band for decades, and is currently a resident Elder, language teacher and addictions counselor. Yintah is her first documentary.
Jennifer Wickham (Wet'suwet'en)
A member of the Cas Yikh (Grizzly House) of the Gidimt’en (Bear/Wolf) Clan of the Wet’suwet’en Nation, Wickham is a poet, youth advocate, and a committed land defender and activist whose work includes language and culture revitalization. She has worked as Media Coordinator for Gidimt’en Checkpoint since 2018. Yintah is her first documentary.
Michael Toledano
Michael Toledano is a journalist, photographer, and documentarian whose work focuses on environmental pollution and Indigenous land defense. His reporting has appeared on Al Jazeera America, VICE, Ricochet, Upworthy, Rabble, and other outlets. His footage has appeared on CBC News, CTV, CP24, CityNews, APTN, and Democracy Now. Yintah is his first feature documentary.
Producer
Bob Moore
Genre
Documentary
Interests
BIPOC Stories, Discrimination, Environment, Indigenous Filmmaker, Social Justice & Politics
Original Language
English
Singing Back the Buffalo
This epic and inspiring documentary not only offers a new perspective on our connection to the land, it shows us what’s possible when we come together. Singing Back the Buffalo is an essential call to take notice – and take action.
“Tasha Hubbard has created a piece of living history” – Caitie Talty, In the Seats
Director
Tasha Hubbard (Cree)
Hubbard is an award-winning documentary filmmaker and an associate professor in the University of Alberta’s Faculty of Native Studies. Her NFB documentary Two Worlds Colliding won a Gemini and a Golden Sheaf Award. She has also directed the short film 7 Minutes, and the feature docs Birth of a Family, nîpawistamâsowin: We Will Stand Up, which won 14 awards, including the CSA for best documentary and Best Canadian Documentary at Hot Docs 2019. She is a founding director of the International Buffalo Relations Institute. Her documentary Singing Back the Buffalo won three awards and was nominated for four others.
Writer
Tasha Hubbard (Cree)
Producers
George Hupka, Tasha Hubbard (Cree), Jason Ryle (Anishinaabe)
Genre
Documentary
Interests
BIPOC Stories, Environment, Female Filmmaker, History, Indigenous Filmmaker, Social Justice & Politics
Original Language
English
Tautuktavuk (What We See)
Blurring the line between narrative and non-fiction, Uyarak and her eldest sister Saqpinak, embark on a difficult healing journey after a traumatic event that reminds them of the importance of community, culture, and family. Tautuktavuk (What We See) explores issues of trauma, resilience, and domestic violence from the perspective of two Inuit women.
Directors
Lucy Tulugarjuk (Inuk)
Tulugarjuk is an actor, throat singer, writer and director who has starred in Atanarjuat: The Fast Runner, L’iceberg, The Journals of Knud Rasmussen and Maïna, among other films. Tia and Piujuq was her directorial debut. She wrote, directed and starred in What We See, which won the Amplify Voices Award at TIFF 2023.
Writers
Lucy Tulugarjuk (Inuk), Gillian Robinson, Samuel Cohn-Cousineau, Norman Cohn
Cast
Carol Kunnuk (Inuk), Lucy Tulugarjuk (Inuk)
Producers
Jonathan Frantz, Lucy Tulugarjuk (Inuk)
Genre
Drama
Interests
BIPOC Stories, Family Relationships, Female Filmmaker, Indigenous Filmmaker, Strong Female Leads
Original Language
Inuktitut
Café Daughter
Tells the story of a nine year old half-Chinese half-Cree girl, Yvette Wong. On top of struggling to find her place in a small Saskatchewan community in the 1960s, she is also faced with the passing of her mother, who always told her children not to let anyone know they were Native Indian, as she believed they would have a better life if this information was kept hidden. Yvette confronts racism on the prairies in the classroom, with teachers and fellow students letting her know she is different from them. Despite wanting to be a doctor, her teacher states that girls can't be doctors, and that maybe she would be better suited as a nurse. Yvette begins to explore and embrace her Cree identity when she befriends Maggie Wolf, a part Mi'kmaq girl who encourages Yvette to be proud of her ancestry. When her Cree ancestry is revealed at school, Yvette confronts discrimination, but perseveres to pursue her dream of going to medical school.
Director
Shelley Niro (Kanien'kehaka)
Shelley Niro is a Mohawk filmmaker and multi-disciplinary artist. She is widely recognized for her photography, and in 2023, was recognized by the Smithsonian’s National Museum of the American Indian with a career retrospective. Her latest film, Café Daughter, premiered at imagineNATIVE in 2023 where it won the Audience Choice Award.
Writers
Shelley Niro (Kanien'kehaka), Kenneth T. Williams (Cree)
Cast
Violah Beauvais (Mohawk), Sera-Lys McArthur (Nakoda/Assiniboine ), Star Slade
Producers
Amos Adetuyi, Shelley Niro (Kanien'kehaka)
Genre
Drama
Interests
BIPOC Stories, Indigenous Filmmaker
Original Language
English
Hey, Viktor!
Twenty-five years after starring in the hit 90s film Smoke Signals, Cody Lightning directs and stars in this uproarious mockumentary about a fictionalized version of himself attempting to make a sequel. When a mysterious fan offers a full budget for the film, Cody jumps at the chance, promising the full participation of the original cast. The only thing standing in his way is the small fact that the entire original cast hates him.
A refreshing and occasionally raunchy comedy, this charming underdog story is a great movie about how to make a terrible one.
Director
Cody Lightning (Cree)
Lightning is an actor and filmmaker who has been working in films since he was a child. Early roles include his performances in The Brave and Smoke Signals, and he went on to appear in films such as Manic and Run Woman Run. His performance in 2007’s Four Sheets to the Wind earned him the American Indian Film Festival award for Best Actor, and in 2023 he wrote, directed and starred in Hey,Viktor! which earned three Canadian Screen Awards nominations. He has also appeared on the Marvel TV series Echo.
Writer
Cody Lightning (Cree)
Cast
Cody Lightning (Cree), Roseanne Supernault (Cree/Métis)
Producers
Blake McWilliam, Sara Corry, Samuel Miller, Kyle Thomas
Genre
Comedy
Interests
Arts and Culture, BIPOC Stories, Cult & Offbeat Cinema, Indigenous Filmmaker
Original Language
English
Bones of Crows
A powerful and moving exploration of the horrors and lasting impact of the Residential School System, Bones of Crows follows Aline Spears (Dove), a Cree musical prodigy forcibly removed from her family as a young girl. Following her traumatic experiences, Aline serves her country as a Cree Code Talker in World War II, and thereafter tries to carve out a life for herself, but the memories of what happened to her and her siblings never leaves her. Finding that her story is one shared by hundreds of thousands displaced Indigenous people, she sets herself on a pursuit of justice for herself and future generations.
This courageous generation-spanning epic premiered at TIFF to rave reviews, and received five nominations at the Canadian Screen Awards including Best Original Screenplay.
“[It] should be required viewing for all Canadians.” – Kim Hughes, Original Cin
Director
Marie Clements (Métis/Dene)
Clements works within a variety of mediums including film, television, radio, and live performance. Her work has screened at Cannes, TIFF, MOMA, VIFF, American Indian Film Festival and imagineNATIVE, and has garnered numerous awards. Her films include the musical documentary The Road Forward and Red Snow, her dramatic debut. She is currently directing the TV show Bones of Crows.
Writer
Marie Clements (Métis/Dene)
Cast
Gail Maurice (Cree/Métis), Phillip Lewitski (Mohawk), Grace Dove (Secwépemc), Rémy Girard, Alanis Obomsawin (Abenaki)
Producers
Trish Dolman, Christine Haebler
Genre
Drama
Interests
BIPOC Stories, Discrimination, Family Relationships, Female Filmmaker, History, Indigenous Filmmaker, Social Justice & Politics, Strong Female Leads
Original Languages
Cree, English
Arctic Song
Directors
Germaine Arnattaujuq, Louise Flaherty (Inuk), Neil Christopher
Genre
Animation
Interests
BIPOC Stories, Female Filmmaker, Indigenous Filmmaker
Original Language
Inuktitut
N’xaxaitkw
Director
Asia Youngman (Cree-Métis)
Genres
Drama, Sci-Fi/Fantasy
Interests
BIPOC Stories, Female Filmmaker, Indigenous Filmmaker, Strong Female Leads
Original Language
English