Inspired by true events, Alias Grace tells the story of Grace Marks (Gadon), a housekeeper who is convicted of the murders of her employers in the mid-1800s. When a psychiatrist, Dr. Jordan (Holcroft), is brought in to make a report on her condition, Grace is given the opportunity to tell her side of the story and plead her innocence. As a high profile case with the general public waiting on the outcome of their sessions, Dr. Jordan attempts increasingly radical procedures, while at the same time slowly developing romantic feelings for Grace. As their relationship reaches a head, new truths come to light and both of their lives are changed forever.

Adapted from Margaret Atwood’s Giller prize-winning novel of the same name, this miniseries has received universal acclaim, earning 5 Canadian Screen Awards including best limited series.

This powerful documentary series from VICELAND gives viewers a rare glimpse into the frontline of Indigenous-led resistance, examining Indigenous life through the stories of people in diverse communities who are working to protect their homelands. Several episodes of this urgent and timely show debuted at the Sundance Film Festival and were hailed as “persuasive and poignant” by The New York Times.

Sacred Water: Standing Rock Part 1 The residents of the Standing Rock Sioux Reservation of South Dakota are fighting to stop a pipeline from being built on their ancestral homeland. In this absorbing account of the events leading up to the protests, Anishinaabe host Sarain Carson-Fox provides context and background, telling the water protectors’ side of the story as the conflict develops right before our eyes.

This powerful documentary series from VICELAND gives viewers a rare glimpse into the frontline of Indigenous-led resistance, examining Indigenous life through the stories of people in diverse communities who are working to protect their homelands. Several episodes of this urgent and timely show debuted at the Sundance Film Festival and were hailed as “persuasive and poignant” by The New York Times.

Red Power: Standing Rock Part 2 As the #noDAPL movement grows in size and reaches a boiling point, over 5,000 people descend on the Standing Rock camp. Using the unprecedented occupation at Standing Rock as its starting point, this episode delves into the evolution of the Red Power Movement, combining history lessons about Indigenous-led resistance with explosive footage of this urgent and historic moment.

Margaret Laurence's much-lauded heroine Hagar Shipley may by 90 years old, but she is not ready to lie down and die just yet. When her son, Marvin (Dylan Baker), takes his mother to look at a nursing home, she takes it as her cue to leave her family behind and set out on one great last journey. Her mission is to locate the seaside home she remembers from her youth, but Hagar's memory is quickly fading, making it difficult for her to distinguish the past from the present. As she makes her way toward the seashore, Hagar realizes her time is running far too short to make up for a lifetime of unacknowledged mistakes.

Quebec filmmaker Catherine Martin made her feature debut with this film about a 19th century woman struggling against oppressive Victorian social norms. 20-year-old Yvonne (Marie-Ève Bertrand) is a free spirit whose prudish, strict older sister Héleène (Guylaine Tremblay) struggles to contain her.

Helene intends to send her sister to a convent, and when Yvonne falls in love with the rakish Charles (David Boutin), Hélène concocts a scheme to keep them apart by arranging for him to marry her own teenage daughter. Unwilling to give up her passionate desires, Yvonne heads to the woods to find her own solution.

This finely crafted historical drama was awarded Best Feature by the Quebec Association of Film Critics in 2001.

Céline Bonnier stars as Mother Augustine, a passionate and resilient Catholic nun who teaches music to children of all backgrounds in a convent school in rural Quebec in the 1960s. When her rebellious but musically gifted niece (Lysandre Ménard) joins the convent, Mother Augustine must confront a past that she strives to forget.

With the looming changes brought by Vatican II and Quebec's Quiet Revolution, the local government threatens to shut down the school in favour of public education, and Mother Augustine must search her soul for a solution – or perhaps a new calling. She and her fellow nuns are forced to confront the waves of modernity, but can Augustine move forward, or will she perish with tradition?

The film was nominated for two Canadian Screen Awards including Best Actress for Bonnier, and Best Original Score.

Four siblings, adopted as infants into separate families across North America, meet for the first time in this deeply moving documentary. 

Between 1955 and 1985, the federal and provincial governments in Canada took an estimated 20,000 Indigenous children from their homes and placed them in the child welfare system. Often referred to as the Sixties Scoop, this policy was part of the same trend of forced assimilation as residential schools.

Betty Ann was one of these children, and over several decades has worked tirelessly to track down her three siblings. As the foursome piece together their shared history, their family begins to take shape. 

This film tackles grief, redemption and discovery as it chronicles the family’s emotional reunion and captures an event that remains painfully elusive for many Indigenous people.
 
 

Winnipeg is home to the largest urban Indigenous population in the country, with a high percentage living in a low-income neighbourhood with the highest crime rate in the city. In the face of a staggering number of cases of missing Indigenous women and girls, the community has decided to take a stand, working on an individual level to support, protect and improve the lives of its residents.

Hosted by Gitz Crazyboy (Blackfoot, Dene) this documentary shows the brave fighters who have dedicated themselves to the cause and delves into the underlying factors and intergenerational trauma that has allowed this environment to develop in the first place.

A quest to restore a lost cemetery in rural Ontario divides a community and reveals deep truths of the hidden history of the Black community in Canada. In the 1930s, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. Fifty years later, descendants of the original settlers, both Black and White, try to recover what remains of this history but face fierce opposition by those who believe the truth must remain buried.

Through a blend of interviews with residents, reenactments, and footage of the cemetery excavation, this powerful documentary highlights an important but rarely discussed aspect of Canadian history.

What begins as a cinematic search for her mother who died when Polley was only 11 becomes a kind of family detective story delving into long-buried secrets about the filmmaker herself. Mixing interviews with archival footage and dramatizations, Polley explores the very nature of family and the conspiracy we enter into in order to protect the bonds we cherish with our loved ones.

As Polley interrogates each of her subjects in turn, contradictory accounts emerge, and longstanding efforts to hide some painful truths eventually become futile.

The “stories we tell” — that all families tell in one way or another — turn out to obscure as much as they reveal, and the whole idea of the purpose of narrative is called into question in a way that is both fascinating and poignant.