Jo and her three year old daughter Lulu struggle to adjust to life alone after her divorce. The worst is yet to come, when an evil force inhabits Lulu's bedroom.

In the distant future, within the city of Los Mutantes, Freda Davis and Lucille Nero, two spies from the National Union of National Spies (N.U.N.S.), ask Betty Powell to help bring down the Catholic Association of Quebec (C.A.Q.) and its oppressive leader, Jeanne Versacon.

Blurring the line between narrative and non-fiction, Uyarak and her eldest sister Saqpinak, embark on a difficult healing journey after a traumatic event that reminds them of the importance of community, culture, and family. Tautuktavuk (What We See) explores issues of trauma, resilience, and domestic violence from the perspective of two Inuit women.

Set in modern-day Karachi, the film opens with the death of the family patriarch. Mother and daughter find themselves in a precarious situation where their existence is ripped apart. In order to survive in a hostile world dominated by men, the two women have to work together in the face of threats both real and supernatural.

This newest comedy from director Monia Chokri follows a university professor who is bored with her comfortable marriage, and finds herself drawn to the handsome contractor who’s renovating her summer home. Their budding relationship opens up the question of what happens when romance and class divisions intertwine.

A dark dramedy that follows Sam (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny.

A young girl who befriended the last remaining black jaguar in the world goes on an incredible journey to fight the poachers who have depleted the jaguar population, and to prevent the extinction of the species.

Young vampire Sasha is going to die if she doesn’t kill. Being entirely opposed to taking a human life to feed on, she has long relied on her family’s murderous habits to get her blood, until they suddenly cut her off. Enter Paul, a lonely teen who is considering ending his own life, and is more than willing to do so to help Sasha survive. As they each prepare for the next step in their budding doomed relationship, a true bond forms between them – one that is as sweet as it is inconvenient.

This truly unique coming-of-age story is a heartwarming and clever spin on the vampire genre, and has captured awards at festivals around the world.

“Ariane Louis-Seize makes her feature-length directorial debut with this daring and daffy horror-comedy that plays like Romeo and Juliet meets Beetlejuice and Amelie [sic].” – Kristy Puchko, Mashable

After the death of her mentor, Jeanine (Seyfried) takes over the task of directing his production of the opera Salome, a piece they had collaborated on previously, to create his most celebrated work. But with the spectre of their complicated relationship still affecting her decisions, and mounting problems within the cast and crew as well as her personal life, Jeanine’s whole world could come crashing down at any second.

This stylish new psychological drama from Atom Egoyan, shot on location at the renowned Four Seasons Centre for the Performing Arts, features an electric performance from Amanda Seyfried at the head of a terrific ensemble cast.

“A wildly ambitious, visually intoxicating reinterpretation of the Richard Strauss opera, Salome, that proves to possess almost as many layers as the Biblical princess’ famous dance routine.” – Michael Rechtshaffen, The Hollywood Reporter

Azra (Kaur), a young Queer Pakistani-Canadian woman, has long felt disconnected from her mother, Mariam (Bucha). Reuniting in Pakistan for her father’s funeral in 1999, flashbacks to 30 years earlier show a young Mariam (played in a dual role by Kaur) falling in love with Azra’s father, Hassan (Haq). Jumping back and forth between these two coming-of-age stories, the connections between mother and daughter become more and more clear – but will they realise this in time to save their relationship?

Sumptuously capturing the feel of a Bollywood film while telling a relatable cross-continental story, Fawzia Mirza’s impressive debut feature is an instant classic.


“Mirza has created a film bursting with creative energy and distinctive aesthetic sensibilities.” – Lovia Gyarkye, The Hollywood Reporter